John Y Cannuck wrote:Somebody get it to Harper, he may be able to use it TONIGHT!
The Conservative war room already knows about it. I hope they put out a press release soon at the very least.
John Y Cannuck wrote:Somebody get it to Harper, he may be able to use it TONIGHT!

Ladner wrote:The CKNW news in Vancouver (CKNW is the #1 listened-to station on the coast and includes Bill Good's show) just covered it on their 6 AM news -- they got the name FreeDominion wrong -- they said FreeDOMAIN -- I've sent them an email.
Grig wrote:Subliminal messages are HIDDEN messages
Find one media report printed before I pointed this out that states the gun is fired. You won't find one, NOT ONE. In every case it only says the gun is pointed at the viewer. Go ahead. Prove me wrong, it it wasn't subliminal, everyone would have noticed right off the bat.What's happening at the point the gun fires is called a "flash cut" by editors. By putting it at the end of the gun sequence, it also gives the impression that the gun was fired.
The president of the ad firm who produced the ad CONFIRMED that it is a muzzle flare and said the video is stock footage of a GUN BEING FIRED. No flash cuts are used anywhere in the ad.Try recording muzzle flash on video or film. It lasts for 1 frame when recorded at normal speed.
Not so, when you watch some movie where guns are fired muzzle flashes are consiously noticiable and longer than one frame. The fact that they only show one frame of it, and don't follow it by a frame of the gun is a clear indication of deliberate subliminal intent.'If, when the flash appears, there were subtle words that said "Harper eats puppies" or something else, then THAT would be subliminal.
That would be a subliminal MESSAGE, we are talking about a subliminal IMAGE. A picture has far more power to effect a person's emotional state than any text.
Entropy Squared wrote:As Lowell Green said today, if one frame isn't subliminal, what is subliminal?
You can't get less than one frame and the vast majority of the population will not pick up one frame, and most of those who think they might have seen something can't say what it is. What is the point of adding a single frame that people won't 'see'? Why do it at all?
If one frame is not subliminal messaging, there is no such thing as subliminal messaging.
Strangis wrote:Entropy Squared wrote:As Lowell Green said today, if one frame isn't subliminal, what is subliminal?
You can't get less than one frame and the vast majority of the population will not pick up one frame, and most of those who think they might have seen something can't say what it is. What is the point of adding a single frame that people won't 'see'? Why do it at all?
If one frame is not subliminal messaging, there is no such thing as subliminal messaging.
That's entirely untrue. Subliminal messages are SECONDARY messages HIDDEN within an entirely DIFFERENT message. THAT'S why this isn't a subliminal message. Since the primary message is a gun taking aim at the viewer, the frame of muzzle flash (whether filmed or added in post), is totally expected, and a continuation of that message, not something hidden from the conscious part of the viewers mind.
http://watarts.uwaterloo.ca/~pmerikle/p ... ption.html
Strangis wrote: Whether the flash was recorded on film or added in post has no bearing on whether it's subliminal or not.
If the ad agency said that it was there when they recieved the stock footage, I would guess that the flash was added in post, before they recieved it. After all, I wouldn't waste a perfectly good camera for a single gun shot unless I was filming in SUPER slo mo.
As for other movies with muzzle flash, they generally DO only last one frame. Any that last longer have probably been added in post. It's got basically the same duration as a flash from a still camera. Sometimes the flash doesn't get captured AT ALL depending on shutter speed. Another red herring.
This is my favourite line from you...
The fact that they only show one frame of it, and don't follow it by a frame of the gun is a clear indication of deliberate subliminal intent.'
Considering that the whole definition of subliminal is ADDING secondary text or imagry (or sound), how can REMOVING imagry be defined as subliminal? That's called editing, not subliminal advertising. Sheesh.
I know you spent a lot of time putting the page together, but you should have maybe added a definition of subliminal at the top. It could have saved you a lot of time.
Here's the Webster's definition...
subliminal \Sub*lim"i*nal\, a. [Pref. sub- + L. limen threshold.] (Philos.) Existing in the mind, but below the surface or threshold of consciousness; that is, existing as feeling rather than as clear ideas.
Considering that the flash is clearly percieved by one's consciousness,
moondoggy wrote:Strangis, I have no idea how this affects your argument, but in one of the papers this morning, the ad exec said that in fact the stock piece that they used included the bullet leaving the gun if they had let it run... to the extent that they did cut it after one frame - clearly intended not to be overtly visible, it had the intended effect of invoking fear without explicitly showing the image that they were truly presenting. Yes, I am one who didn't see it until I knew it was there.
And if this is simply a matter of semantics, the ad is at best misleading and a misrepresentation - notwithstanding the usual policy misrepresentations.
For shame!
Roy Wilson wrote:Humor so don’t get excited![]()
Next Liberal canvasser that comes to your door , point a gun and say its ok you wont see the flash either.
Grig wrote:Roy Wilson wrote:Humor so don’t get excited![]()
Next Liberal canvasser that comes to your door , point a gun and say its ok you wont see the flash either.
I can't belive you said that!
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